WMH wins Silver at FAB Awards for Penny Market ‘Orto Mio’ redesign

Williams Murray Hamm’s brave, bold and engaging design for Penny Market’s ‘Orto Mio’ antipasti range was awarded a Silver at last night’s International Food & Beverage Awards.

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Now in their 18th year, the FAB Awards are focused entirely on work done for Food and Beverage brands. They recognise the critical contribution that outstanding creative work makes in building brands, identifying and rewarding leading practitioners from over 60 countries.

Rewe owned, Penny operates 3,550 stores in Europe. Having won a written competitive pitch against two other agencies, WMH was appointed to rejuvenate the 45+ antipasti range to reflect a more unconventional and approachable image for Orto Mio.

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WMH’s new design embodies the relaxed, sociable style of eating antipasti. It suggests that the food can barely be restrained by its packaging and is bursting to get out with colour and flavour

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The illustrations work in unison with lively, colourful hand drawn typefaces. Each product carries a witty copyline, such as ‘oh la la olives’, ‘we are the champignons’ and ‘you make me blush’, continuing the promise of an enjoyable eating experience.

On winning the award Garrick Hamm, Creative Director at WMH said:

“We are overjoyed that our work on ‘Orto Mio’ has been recognised by the FAB Awards.  Hopefully, the witty design raised as much of a smile on the judges’ faces, as the award has on ours!”

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WMH hosts ‘Everything We Touch’ with Paula Zuccotti.

Ethnographer and author describes her work at a private breakfast briefing

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On Wednesday 24th May, Williams Murray Hamm hosted a breakfast briefing with Paula Zuccotti, an industrial designer, trends forecaster and ethnographer.

Her latest book project, “Everything We Touch” has received rapturous applause from around the globe, leading to radio appearances and full-page spreads in, amongst others, The Guardian, The Sun and the Sunday Telegraph.

 What if everything you touched in one day were brought together in one place? What story would they tell? 

Paula travelled around the world asking people to document every object they touched in 24 hours. She then gathered those objects together and photographed them in a single shot.

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From a toddler in Tokyo to a cowboy in Arizona, from a cleaner in London to a cloister nun in Madrid, Every Thing We Touch is their story told through the objects they own, consume, need, choose, treasure and can’t let go.

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To hear the inside story of peoples’ lives through the things they use everyday, check out the trailer below:

For more information you can purchase the book directly from Penguin and you can check her out on tumblr.

 

Please note that the copyright of all imagery within this article belongs to Paula Zuccotti, all rights reserved 2016.

WMH wins coveted D&AD Yellow Pencil!

WILLIAMS MURRAY HAMM WINS D&AD YELLOW PENCIL FOR UK EROTICA BRAND, COCO DE MER

Williams-murray-hamm-coco-der-mer_D_AD_Pencil-yellow-2016Tonight, WMH was awarded a coveted D&AD Yellow Pencil for its packaging design work for Coco de Mer.

D&AD (Design and Art Direction) is a world renowned British educational charity that promotes excellence in design and advertising. The annual awards as regarded as one of the major events in the creative world and a ‘Yellow Pencil’ is the equivalent of a gold award.

On winning the award, Garrick Hamm, Creative Director of Williams Murray Hamm said:

“I dedicate this pencil to Dick Murray. Once asked, if his house was burning down what would he grab, he said ‘just his yellow pencil. ‘Jelly Man’ would have been out tonight for sure. Also, a huge thank you to Coco De Mer for being such a wonderful client”.

This award continues WMH’s extraordinary year. Having won Gold in the DBA Design Effectiveness Awards in January for its work on soft drink JuiceBurst, WMH’s Coco de Mer design has won a Mobius award, ‘Best in Book’ in Creative Review and a Drum Design award.   

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Luxurious, enticing and empowering, Coco de Mer is where you “explore the exhilarating limits of your erotic imagination”. Online and in their London boutique, they collect and curate only the finest erotica to “inspire exploration, excitement and enjoyment”.

WMH’s new identity for Coco de Mer involved a gently recrafted logo and a changed, more exotic colour scheme of gold and deep red derived from the successful and eclectic store interior.

The most talked about aspect of the redesign was the creation of packaging for a new ‘signature’ range of luxury toys and lubricants inspired by history’s Grandes Dames of seduction.

WMH-COCO-DE-MER-RANGE-INNER-WEBThese feature erotic images of nude women, botanical prints and portraits of three historical figures whose sex lives were notorious: Catherine Howard, former Queen of England and wife of Henry VIII, who was beheaded for adultery; Georgiana Cavendish, the Duchess of Devonshire, whose affairs were portrayed in 2008’s film ‘The Duchess’; and Nell Gwynne, the long-term mistress of King Charles II.

Inspired by the legendary peephole in the original Covent Garden store’s changing room, a small hole in an outer sleeve offers a teasing glimpse of the seductress behind, who looks back knowingly at the viewer.

Lucy Litwack, Managing Director at Coco de Mer said:

“It was an enjoyable and captivating journey to develop our new Pleasure Collection packaging with Williams Murray Hamm and we are delighted that the work has been recognised with so many awards. It was a great opportunity to collaborate with an agency which truly understood our values and developed designs that embraced our vision. Well deserved congratulations to the remarkable team who worked with us on this project.”    

The product range is available online and in Coco de Mer’s Covent Garden flagship store.

For any press enquiries, please email press@wmhagency.com or call +44 (0) 20 3217 0000.

LOVE / HATE: Of Lunatics and Asylums…

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In 2010 Coca Cola relaunched as a response to declining sales of carbonated drinks. There was no change to the product, but there was substantial change to the way the brand was presented.

Out: went years of complicated, ugly packs, replete with multi textured swooshes, condensation and all the other fripperies of soft drinks branding.

 

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In: came a new, stripped down design that used simple flat colours and a bold, plain white Coke marque.

 

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In: came campaign work that was a reminder of more innocent times when we all loved fizzy drinks.

 

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How clever of Turner Duckworth to get a piece of work this good and this simple, through a behemoth like Coca Cola.

Of course, in global businesses, there’s always someone who wants to make their mark. In March this year we saw major tweaks to the design starting to appear. Suddenly the logo on cans was horizontal and then Spain launched with each variant being red with a small part of the can given over to the variant type (black for zero, green for the execrable ‘Coke Life’ etc). It was horrid, but at least it looked as though it might be confined to Spain.

This week, Coke announced a complete redesign along Spanish lines. An ‘iconistic’ red disc now appears everywhere. Apparently it’s a ‘signature asset’. When fat words like these appear in press releases you know the head of design is about to go into hiding.

 

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This redesign is a ghastly mistake brought about by cost cutting; e.g. the ‘One Brand’ story and the fear of sugar taxes. The trouble is, the design doesn’t help. It damages the brand by reducing it to what it was in the past, complicated, ugly and spurious, losing Coke’s unique status along the way.

Launching in Mexico immediately and rolling out across the world in 2017 soon everyone associated with this rebranding will have moved on. They never get to reap what they sow nowadays. As usual, someone new will be left to pick up the pieces.

 

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It proves that in today’s company structure, no matter how high flying your design management is, it doesn’t get listened to. This is a triumph of cost cutting management and poor use of ‘consumer insights’ over what’s good for the brand long term.

Many years ago, my late business partner, Richard Murray wrote to Coca Cola betting them his house that Minute Maid would fail in the market. It did. He’d be safe in betting on this new Coke design too.

Author: Richard Williams

If WMH designed Valentine’s Day…

WMH designed Valentine's Day

For press enquiries contact press@wmhagency.com 

Be My Valentine…

valentine love letter, richard reed, richard williams, innocent smoothies, packaging

 

Dear Richard

In answer to your Brand Republic article

I feel a bromance coming on.

On this day of all, I’d like to tell you how much I love you.

You are the first significant business person, since marketing became besotted with social media, to say

“It is crazy how significant packaging is”.

OMG!

What’s more, you went on to say “I think, realistically, for most FMCG products the packaging is more important than the product, it is how you get noticed and create desire, and impute what it is you are and stand for.”

Thank you for restoring this old man’s faith in the discipline he’s followed since 1974.

Yours in admiration.

 

Richard Williams

Founder

Williams Murray Hamm

Living in the Past

three men wearing pastel coloured flairs with musical instruments

A couple of weeks ago we were lamenting the death of David Bowie and last week it was the end of 500 years of eel catching in Britain. This weekend it’s been the end of traffic wardens (they are all ‘civil enforcement officers’).

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We hate losing things, people and traditions. Until last week, we couldn’t have cared less about eel catching. Now it’s a symbol of the pace of change, our loss of a simpler way of life. Along with the demise of gas street lamps, steam trains and holidays in Clacton-on-Sea, we seem to believe that life was better in the past. Perhaps that’s why there’s so much fuss about the new Dad’s Army movie.

Heaven forfend, there’s even nostalgia for the 1970s and ’80s – when the High Street was really humming. There was Woolies, Our Price Records, Comet, MFI, House of Holland and the rest. We conveniently forget that it was a period of mostly terrible music, catastrophic industrial unrest, the 3 day week, horrific inflation, stratospheric oil prices, ugly furniture (unless you lived near a Habitat), naff TV, loon pants…and the Austin Allegro.

1977 Austin Allegro Vanden Plas 1500 England

How could they?

Politicians and the likes of Mary Portas still mourn the death of the High Street, but the truth is, it offered a dreadful customer experience and buying online is a whole lot easier. If Amazon would just pay its taxes and level the playing field, we could all rest easy.

No, the past wasn’t a better time. Product reliability was appalling, customer service non-existent, the trains worked even less well, the GPO took weeks to install your phone, the Gas Board had to connect your gas cooker and never showed up and British Airways was owned by the government and as bad as Aeroflot.

I’m on the side of the eels.

See alsoThe Car’s the Star Austin Allegro
https://www.youtube.com/watch?v=Wu48FVwUnO8
Monty Python’s New Cooker Sketch
https://www.youtube.com/watch?v=8dVkdCQCAS0

 

Author: Richard Williams

Trends for 2016 – According to those who know… #JustSaying

award winning, brand design, customer service, digital, experts, future, graphic design. design, innovation, invent, millenials, mobile tech, packaging news, personalisation, reinvent, simplicity, strategy, trends 2016
Trends for 2016 – According to those who know… #JustSaying

According to those who know, the top trending subjects for 2016 are customer service, mobile tech, simplicity, personalisation and the fact that millenials are out and aging is in. Well that puts me bang on trend. Now, I’m worth listening to.

I’m feeling a bit smug, since I blogged on almost all those subject last year. I have three random thoughts about 2016 and beyond (see links at bottom of this post)

The constant restructure

The US food industry was spooked by 3G Capital and Berkshire Hathaway’s merging of Heinz and Kraft. As costs were slashed, many competitors looked to it as a template to do business.

This deal did not fill me with optimism. Many of their brands are decades old and out of favour with consumer trends. However, there are many millions of US consumers, on food stamps, who rely on businesses like this to create convenience food that’s made of good ingredients and offers them a decent diet.

KraftHeinz brands will need considerable innovation at a time when its owners are taking huge chunks of cost out of the business. How can you grow a business by continuously cutting it?

Constant business restructures are good if you’re Bain or McKinsey, but terrible for morale if you’re having to reapply for your old job and taking a pay cut. Goodwill and mutual trust head for the door.

Every single one of our clients was restructured in 2015. I’m expecting this trend to continue.

Living with turmoil

We like to think that a period of stability follows a crisis. After 2009 we all thought we were headed for a bit of break from the gloom. It’s never happened. China wobbles, Russia’s sagging, the Euro is a basket case. We’ve never truly recovered.

With faith in politicians and bankers at its lowest ebb, we are all going to have to understand that the world that we saw as one of continuous progress, where things get a bit better everyday, is a pipedream.

For those of us who run business and serve other businesses, the best thing we can do is understand how we can deliver the kind of services that businesses undergoing constant change will need.

The growth of experts

This was the first year that Amazon really took over my Christmas shopping. They delivered at all hours, mostly over the garden hedge. However, I don’t see the end of our leaving the house to go shopping. Of course, we will continue to go out shopping, but only for the things we want to feel, touch and learn about. Shopping will be all experience and entertainment and drudgery free.

If you don’t believe me, go to Haymarket in Boston or Exmouth Market, in London and watch how we stand in line for ages for exotic street food or how we love to banter with market traders. We love talking to and buying from people who know their stuff and, if we like them, we will buy from them again and again.

It doesn’t matter if it’s a holiday, cheese or furniture, shops so often leave us having to make up our minds what to buy with so little real knowledge. There is a massive opportunity for experts in their field to be on the shop floor talking to customers.

So many young people don’t have jobs, surely developing the next generation of experts can’t be that difficult. I’d rather buy from a person than an algorithm any day.

 

Author: Richard Williams  #JustSaying

 

Referenced links: 

I’m Looking for Simplicity –  https://wmhagency.com/im-looking-for-simplicity/

Be Brief –  https://wmhagency.com/be-brief/ 

Does Personalisation Have a Future? http://viewer.zmags.com/publication/133ef869?page=6#/133ef869/6

Be brief

 

device usage across a day

I was taken by Oracle’s Jeremy Ashley’s talk at DMI in Boston a couple of weeks ago.

At risk of stating the bleedin’ obvious, of all the devices we use during the day, the one constant is a mobile phone.

In the world of communications, if you can’t handle mobile, you’re done for.

Have a look at Dave Trott’s book ‘One Plus One Equals Three’. It’s brilliant. Short, intriguing, factual stories which mean something and which you remember.

Dave’s work is perfect for this mobile world. Its content is bang on, you really want to read it and each chapter is short enough to work perfectly on a mobile phone screen.

How many businesses can say that of their communications?

Lawyers, engineers, insurers, banks all suffer from vast amounts of blurb they’ve slaved over that nobody ever reads. These are then overlaid with dull old images of people on the phone, office buildings and, in the case of banks, women smelling flowers or cycling.

It’s the laptop generation writing and designing for the mobile world.

Being brief and intriguing is the future of great communications, but then it always was. It’s what great advertising does so well.

Of course, the next challenge is how to make communications work on wearable devices. If my experience with an AppleWatch is anything to go by, even Dave Trott will have his work cut out.

 

Author: Richard Williams

Slide by Jeremy Ashley. 

The campaign against lazy branding Part 1

By Richard Williams, Chicago March 2015

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Chicago’s massive Graceland Cemetery is home to the mausoleums of the business people and architects who rebuilt the city after the catastrophic fire of 1871 and made it what it is today. Their final resting place reveals a bravura and fearlessness that I’ve never seen before, anywhere.

From a massive pyramid guarded by an Egyptian sphinx and a Victorian angel, to a lavish Greek temple with twin sarcophagi on the edge of a lake, these people have left a lasting tribute to the risks they took in building, in one generation, massive business empires. Perhaps the only entrepreneurs of a similar ilk today, are the tech gods, of Bezos, Jobs and Gates.

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Where is the next generation of entrepreneurs like these? Certainly not in the world of marketing. I can find few traces of people chancing their arm, betting the house or reaching for the sky. Instead they reach for ‘insights’.

I don’t think that Marshall Field or many of Graceland’s other businesspeople would have spent any time getting customers to tell them what to do. They knew instinctively what people would want. However, in the world of consumer brands, ‘insights’ remain king. They are the final determinant, the judge and jury and they leave the consumer as designer.

A perfect example of this phenomenon is the OTC supermarket shelf. Here in the USA it is massive. In the heartburn medication category, three big brands you’ll find on every shelf are Pepcid, Tagamet and Zantac. Each is a different, brilliant and complex chemical formulation, but you wouldn’t believe it, looking at them.

The packaging design consists of largely the same wording, an oval shape, some blue, a fade and a picture of the tablet. How can three quite different products look so similar? It’s ‘insights’ being used as a drunk uses a lamppost – for support rather than illumination.*

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Perhaps this is a problem with todays’ world of marketing and design – you have the same clever people with the same education, using the same researchers, asking the same questions…and getting the same answers back. They then do exactly what those answers tell them, with the same lazy agencies.

When everything looks and says the same, then consumers will default to the brand that is supported most, or the one that is cheapest. Being like your competitor leads to a race to the bottom.

Lazy Branding

Now, I have no objection to finding out what people think about packaging, but I do object to consumers designing the packs for us – that’s the job of the design agency. Sadly many agencies, often the big ones with a machine to feed, are happy to let this happen because they are big and can’t fight the fight for brave, engaging ideas.

I sense that those occupants of Graceland’s green and tranquil ground would be turning in their graves at the lack of what Adam Morgan of Eat Big Fish fame calls ‘kickers and denters’ in marketing and design today. It’s time to start a campaign against lazy branding.

*Andrew Lang 1844-1912 – ‘Politicians use statistics in the same way that a drunk uses lamp-posts—for support rather than illumination.’

The Power Of Just Getting Out There

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Perhaps someone can help me here, but I’ve never quite understood why we message people when it’s quicker and more efficient to call. Messaging is about as cranky as a typewriter, yet it’s been calculated that in 2013, we sent more than 300 billion text and instant messages. I realise there a real difference between a call and an instant message in terms of need and content, but their massive usage illustrates a perverse form of remoteness. We’re communicating more than ever with those around us, but in a detached way – on our own terms.

Thanks to Facebook, I know more about my relatives in Canada, Australia and Poland than ever before. I know what their kids look like, I’ve seen baby’s first stool (literally) what they had for breakfast and where they went on holiday, but mixed in with these intimate moments are ads for dropping belly flab and invitations to participate in trials for cardiovascular drugs. When I’m trying to get close, I’m being interrupted by unwanted ads and reminded what a poor replacement Facebook is for real contact. I can’t be myself because others are watching. Not everyone on Facebook is really my friend (see Adam Grant’s brilliant article ‘You’re Not My Friend’ http://tinyurl.com/lfeqj29). Again, I’m close but still remote. Communicating on my own terms, but keeping stuff back.

This is the problem for advertisers. They have so much data about us that they’re suffering from infobesity, but they still can’t get close to us because we won’t let them. It’s as though they can see a very good, clear jigsaw of us, but some of the key parts are missing.

This lack of real connection with consumers is exacerbated by what the life of a marketer is like nowadays. The modern office has been transformed in 25 years. In spite of all the fancy named breakout rooms and coffee zones, ‘Marketing’ is enveloped in a world of limitless data and supplicant suppliers. Procurement vets and edits out anyone bonkers, so marketers hardly have to move from their desks anymore. When they go out, it’s to a conference where they’re flesh-pressed by every halitosis ridden professional networker, but it doesn’t help them get close to people who do, or might buy their products.

My first job was as a designer at Sainsbury’s. My weekend fun was going to the store in Aylesbury and watching people buy my packs. Sad, I know, but it was an education that’s never left me. What had I done that made them buy my designs? With this in mind, a few years ago, I ran a workshop with a global foods business to try to get them to understand what consumers saw. We gave them $25 each and sent them to three supermarkets to buy products in categories they didn’t operate in. It turned out that they never went to the supermarket during work time – it’s as off limits as sitting at your desk just thinking.

These marketers bought much of their food from the staff shop and were astonished at how similar the products they bought in the supermarket were. They stopped customers and asked why they chose one product over another and came back genuinely exhilarated. It’s odd really isn’t it? One of the world’s great joys is people-watching, but it’s not seen as part of someone in marketing’s education or role.

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Similarly, a home visit, a rifle through someone’s freezer, cupboards and bathroom cabinets or an ethnographic exercise filming people shopping, buying and using products will tell you more than you could ever imagine from a Powerpoint deck of data.

You just can’t beat hands on, face-to-face, watching, chatting and listening. The sort of thing we do in our spare time really.

Am I Just Old, or are Food Brands Missing a Trick?

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By Richard Williams July 2014

In October, I’m turning 65. When I’m stopped by a researcher at Heathrow, as I always am and asked what my age is, I’ll be in the last group: ‘65+’. I’m no longer very interesting. I’m not ‘youth’, nor up and coming, or even a regular business traveller anymore. I’m just, what a client recently referred to as a ‘Good-lifer’, a target for walk in baths and Michael Parkinson’s free biro if I buy a funeral plan. I’m 15 years into Saga already. It couldn’t be bleaker.

Unwittingly, I’ve also joined a list of consumers who have special needs. We’re so old that we can’t open packaging with the dexterity that others can and we can’t read said packaging without taking out our specs. I was asked recently by a very well meaning business, if WMH would be interested in helping them create packaging design rules for brands that are aimed at retired people and it was this question that prompted this blog.

Do older/retired people eat different brands to younger people anymore? We’ve all got our own teeth nowadays. I see little difference between my fridge and that of my 33 years old daughter and I see her struggle with reading and opening packaging rather more than I do.

Whilst packaging does a very decent job of making the most of pallet space and supermarket shelf capacity and we have much to thank it for freshness, current packaging is generally dreadful. It is rife with stuff I don’t want, or need, to know and short on the things that really matter.

Some years ago we ran a project for a global foods business from the US, to help them explain what’s good about their products to consumers. Of course, our initial reaction was that convenience food was just old fashioned junk and irredeemably bad. Once we’d stopped being so up ourselves, it became very clear that millions of people around the world have a great need for convenience food. They don’t have the time nor the money to be scratch cooks, even if they’d like to. They’re getting by the best way they can. However, they all want to serve their family decent and healthy food that they can enjoy.

The odd thing is that food manufacturers forget to tell them things they want to know, like ‘What’s a preservative? What’s gum? Why are they in this product? How and where is it made and by whom?’ In most cases, the impression is that convenience food is made by accountants.

The things that matter to us, retired or not are mostly the same and we want to know more not less. It’s as though ‘back of pack’ should become ‘front of pack’. Tell us what we want and need to know and do it so we can all read it (spectacles are not the preserve of an aging population) and stop telling us things we already know or stuff we just don’t believe.

A typical example is the four Spaghetti Bolognese ready meals shown below. They all seem to have been flung together without a thought about what they are saying to people. Knowledge is sacrificed on the altar of logo and ‘appetite appeal’. I want to know, who made these products – who’s hand has been upon them? What do they contain and why? Why is Asda’s range called ‘Chosen by you” – what’s the story behind that?

It’s as meaningless as ‘Your M&S’ – no, it’s not my M&S, it belongs to a load of shareholders who wish M&S would focus on getting the product right rather than marketing Newspeak. In the case of the Spaghetti Bolognese, it’s pointless graphics that misses a great opportunity to talk about care in sourcing, decent ingredients and healthy consumption. We patronise the less well off by thinking they are drawn to big pictures of food with some steam on, or a bogus Italian scene.

Spaghetti Bolognaise

Once we’ve bought it, manufacturers need to make sure that packaging is a pleasure to open and use. It’s an old chestnut, I know, but I was told recently that a client’s biggest innovation in the last twenty years was a re-sealable pack. Really? In the time that Dyson has reinvented the vacuum cleaner, you’ve come up with a pack that reseals?

Jar Struggle

How is it that yoghurt pots, milk cartons, sauce jars, toothpaste dispensers, razor blades, liquid soap, chocolate bars and many, many more products that have adorned our cupboards for the last century, remain beastly to open and use for everyone? They are made in the cheapest possible way to run down the line, be stacked and sold with scant consideration for the end user. Again, having trouble opening a pack is not the preserve of older consumers, it is a nuisance to anyone who buys and uses products every day.